Thoroughly researched and deeply felt, Alistair Hall's Buggers is a unflinching look at the passionate, codependent and often violent relationship between artist Francis Bacon and his lover-muse George Dyer. Alistair Hall and Peter Clements. Photo credit: Giulia Ferrando. Structured like one of Bacon's triptychs, we absorb three snapshots in the men's eight year relationship: beginning,... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: Fempaths: Transistor Radio Hour (Underbelly Bristo Square) ★★★★
She's here, she's queer, so you'd better get used to it. Fempaths: Transistor Radio Hour is an unashamedly political piece that uses LGBTQ+ history set to music to give voice to those that are often overlooked. Mari Moriarty. Photo credit: Queergarden. Kicking off with the radio style implied by the title, Fempath (Mari Moriarty), cellist... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: Sam Morrison: DUCK (Gilded Balloon Teviot) ★★★
Examining the human condition and his own health conditions through facts about the natural world, Sam Morrison is an engaging performer with a broad range of material. Sam Morrison. Photo credit: Timothy Aarons. Following on from his critically acclaimed show Sugar Daddy, Morrison is back at the fringe to give us the lowdown on weird... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: Man or Bear (Summerhall) ★★★★★
A taught thriller with a surprising amount of humour, Man or Bear asks you to come face to face with the potential threat of violence that could lurk in the shadows - or be right in front of you. Katie Hurley. Photo credit: Hugo Glendinning. Co-created by Katie Hurley and Sarah Hehir, Man or Bear... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: BASIC BALD B*TCH (Underbelly Cowgate) ★★★★
When Amy's hair starts to fall out, she loses something else in the process - her confidence, her connection with her femininity and her ability to show her real self to those around her. From facing her trauma, and discovering the power of drag, she begins to explore a new identity - reclaiming words used... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: Pimm’s Without The Cucumber (Paradise in the Vault) ★★★
Lucas Kad's semi-autobiographical play, Pimm's Without The Cucumber, is a coming-of-age story that examines queer masculinity and the pressures on today's young men. Lucas Kad. Photo credit: Second Law Theatre Company. Kad comes bursting onto the stage as Jordan, a young man with main character energy who addresses the audience in the style of a... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: Safety (Underbelly Bristo Square) ★★★★
Michael Reid's new solo play, Safety, is a taught thriller about a psychotherapist and his relationship with a patient who discontinues treatment. Cleverly written and expertly performed, the piece explores the erosion of boundaries and where the line is in a professional context. Michael Reid. Photo credit: Philip Vukelich. Reid's play is informed by the... Continue Reading →
Cherry Grove Art Show 2026 to feature photography by Steven Menendez – exclusive preview
This weekend's Arts Project of Cherry Grove (APCG) Art Show, on view to the public on Saturday, August 22nd and Sunday, August 23rd, will feature photography by Steven Menendez. This year's reimagined event will take place inside the air conditioned Cherry Grove Community House with artists and artisans from the Grove, Fire Island communities, and New... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: A Foot is Not an Appropriate Prize for the Tombola (Pleasance Courtyard) ★★★
Intro Para 1 Para 2 Para 3 Conclusion By Deborah Klayman A Foot is Not an Appropriate Prize for the Tombola plays at Pleasance Courtyard, Edinburgh until August 31st 2026.
Edinburgh Festival Fringe 2026 Theatre Review: Stop Playing Jacob’s Ladder With My Spine (Zoo Southside) ★★
Fusing absurdist theatre, contemporary dance and creative captioning, Stop Playing Jacob’s Ladder With My Spine puts a spotlight on unseen habits and rituals, and how being observed can cause an intense sense of shame. Stop Playing Jacob’s Ladder With My Spine plays at Zoo Southside, Edinburgh until August 30th 2026. HotCat Collective credit the image... Continue Reading →
