The skill required to craft and perform truly great comedy is often underrated, so its refreshing to see the slew of much-deserved plaudits for Cole Escola's Oh, Mary! that currently adorn the marquee of Broadway's Lyceum Theatre. Included among the attention-grabbing endorsements is the show's own mock-boastful tagline—which channels the titular character's tendency for self-aggrandizement—"The... Continue Reading →