Featuring more than 110 stunning images taken over four years, photographer Charles Moriarty's latest book, the limited-edition BROCK, is an intimate portrait of actor and bodybuilder, Brock Yurich, as he chases his dreams over several years. The most recent photographs, shot earlier this year, follow Brock home to Los Angeles and onto the set of... Continue Reading →
Film Review: Peter Hujar’s Day ★★★★
On December 19th, 1974 writer Linda Rosenkrantz invited her close friend, photographer Peter Hujar, to her New York apartment on the Upper East Side to describe in detail how he had spent the entirety of the previous day. The tape-recorded conversation was part of a planned larger project by Rosenkrantz, intended to gather the recollections... Continue Reading →
Exclusive Interview: filmmaker Ira Sachs on Peter Hujar’s Day – “it’s a love story about a friendship”
With a career spanning more than three decades, Ira Sachs is one of the most acclaimed American independent filmmakers of his generation with work in the permanent collections of the Museum of Modern Art and the Whitney. Among many accolades, his brooding queer feature, Keep The Lights On, won the Teddy Award at the 2012... Continue Reading →
Film Review: Tinsman Road ★★★★
If a tree falls in the forest and no one is around to hear it, did it even make a sound at all? Or does it echo out as an ethereal song, haunting those who may have been hit by its ripples? The answer is unknown, the sound is unknown, and the only certainty left is... Continue Reading →
Theatre Review: Messy White Gays (The Duke on 42nd Street, Off-Broadway) ★★★★
When Drew Droege, most widely known for his inspired viral Chloë Sevigny parody videos, spoke with The Queer Review in March 2020 about his one-man show Happy Birthday Doug, he mused, “I think we’re afraid as queer people to write flawed gay characters”. With his latest Off-Broadway comedy, Messy White Gays, the writer-star shows no... Continue Reading →
Exclusive Interview: Sal Salandra wants his thread paintings to celebrate the joy of gay sex & encourage self-acceptance
80-year-old self-taught erotic artist Sal Salandra's vibrant needlepoint "thread paintings" pulsate with a playful carnal energy that unapologetically celebrates the bliss of gay sex in all its variety. Salandra's use of a medium that is typically associated with more neutral, traditionally domestic motifs to conjure kinetic scenes of fisting, orgies, and BDSM gives the work... Continue Reading →
The Queer Agenda: November 2025
Welcome to the November edition of The Queer Agenda, The Queer Review’s curated monthly guide to LGBTQ+ cultural happenings in New York City and beyond. Unidentified photographer, Gladys Bentley (1907-1960), ca. 1940. Silver and photographic gelatin on photographic paper. Collection of the Smithsonian, National Museum of African American History and Culture. Continues through March 8,... Continue Reading →
Exclusive Interview: Prince Faggot star Mihir Kumar on Off-Broadway’s most talked about play of the year – “I’ve never felt such a strong personal attachment to something I was in”
Mihir Kumar is currently starring in one of New York's most talked about plays of the year—Jordan Tannahill's Prince Faggot directed by Shayok Misha Chowdhury—in an extended run at Studio Seaview through December 13th, 2025, following a sell-out world premiere stint at Playwrights Horizons this summer. The play, which marks Kumar's stunning Off-Broadway debut, sees... Continue Reading →
It Doesn’t Hurt – Film Review: Kiss Of The Spider Woman ★★★★
I have a confession to make. I really didn’t like the late, great William Hurt’s performance in the 1985 film, Kiss Of The Spider Woman. I don’t care that he won the Oscar, I found him way too mannered, affected, and “playing gay” the entire time. Hurt should have won two years later for his... Continue Reading →
Exclusive Interview: Plainclothes filmmaker Carmen Emmi – “cruising exists in the cracks of society”
Carmen Emmi's Sundance Award-winning debut feature Plainclothes, starring Tom Blyth and Russell Tovey, is now playing in New York and Los Angeles and expands to more cities over the coming weeks. Set in upstate New York in 1997, Blyth plays a young undercover cop, Lucas, who is assigned to patrol a shopping mall restroom to... Continue Reading →
