Director Craig Baldwin's thrilling new adaptation of William Shakespeare's Richard II for Red Bull Theater boldly transposes the play's setting from late 14th-century England to a vibrantly realized, greed-is-good 1980s Manhattan. It is a choice that not only allows for some stunning costumes by Rodrigo Muñoz, but also conjures a period of national disunity, with... Continue Reading →
Writer, choreographer, and performer Jack Ferver's genre-defying performances interrogate and indict psychological and socio-political issues, particularly in the realms of gender, sexuality, and power struggles. Weaponizing spectacle and stark naturalism, character and self, humour and horror, their performance practice is rooted in the shattering effects of trauma, and the numerous selves that can arise from... Continue Reading →
Featuring more than 110 stunning images taken over four years, photographer Charles Moriarty's latest book, the limited-edition BROCK, is an intimate portrait of actor and bodybuilder, Brock Yurich, as he chases his dreams over several years. The most recent photographs, shot earlier this year, follow Brock home to Los Angeles and onto the set of... Continue Reading →
On December 19th, 1974 writer Linda Rosenkrantz invited her close friend, photographer Peter Hujar, to her New York apartment on the Upper East Side to describe in detail how he had spent the entirety of the previous day. The tape-recorded conversation was part of a planned larger project by Rosenkrantz, intended to gather the recollections... Continue Reading →
With a career spanning more than three decades, Ira Sachs is one of the most acclaimed American independent filmmakers of his generation with work in the permanent collections of the Museum of Modern Art and the Whitney. Among many accolades, his brooding queer feature, Keep The Lights On, won the Teddy Award at the 2012... Continue Reading →
If a tree falls in the forest and no one is around to hear it, did it even make a sound at all? Or does it echo out as an ethereal song, haunting those who may have been hit by its ripples? The answer is unknown, the sound is unknown, and the only certainty left is... Continue Reading →
When Drew Droege, most widely known for his inspired viral Chloë Sevigny parody videos, spoke with The Queer Review in March 2020 about his one-man show Happy Birthday Doug, he mused, “I think we’re afraid as queer people to write flawed gay characters”. With his latest Off-Broadway comedy, Messy White Gays, the writer-star shows no... Continue Reading →
80-year-old self-taught erotic artist Sal Salandra's vibrant needlepoint "thread paintings" pulsate with a playful carnal energy that unapologetically celebrates the bliss of gay sex in all its variety. Salandra's use of a medium that is typically associated with more neutral, traditionally domestic motifs to conjure kinetic scenes of fisting, orgies, and BDSM gives the work... Continue Reading →
Welcome to the November edition of The Queer Agenda, The Queer Review’s curated monthly guide to LGBTQ+ cultural happenings in New York City and beyond. Unidentified photographer, Gladys Bentley (1907-1960), ca. 1940. Silver and photographic gelatin on photographic paper. Collection of the Smithsonian, National Museum of African American History and Culture. Continues through March 8,... Continue Reading →
Mihir Kumar is currently starring in one of New York's most talked about plays of the year—Jordan Tannahill's Prince Faggot directed by Shayok Misha Chowdhury—in an extended run at Studio Seaview through December 13th, 2025, following a sell-out world premiere stint at Playwrights Horizons this summer. The play, which marks Kumar's stunning Off-Broadway debut, sees... Continue Reading →
