The soap opera at the heart of Tony Award and Pulitzer Prize-winning A Strange Loop creator Michael R. Jackson's uproarious new Off-Broadway musical, that gives the show its title and catchy recurring theme song, White Girl In Danger, is set in the town of "Allwhite" and features a story that is "Allwhite", as the opening... Continue Reading →
Theatre Review: The Goat or, Who is Sylvia? (Sydney Theatre Company) ★★★★
Edward Albee’s pedigree as the chronicler of domestic dysfunction is well earned and the Sydney Theatre Company’s new production of The Goat or, Who is Sylvia revels in the nasty details. Dark comedies don’t get much darker than this, and when we say "the goat", we don't mean "the greatest of all time". Martin and... Continue Reading →
Theatre Review: Gentlemen Prefer Blondes (Hayes Theatre, Sydney) ★★★1/2
Sydney's Hayes Theatre is taking us back a century this WorldPride season with the roaring twenties set, classic 1940s feel-good musical comedy Gentlemen Prefer Blondes. The Hayes has really gone to town with this production; there are big voices, a big marketing push, and a big set (perhaps a little too big for the space).... Continue Reading →
Theatre Review: Tylwyth (Sherman Theatre, Cardiff) ★★★★
Tylwyth revisits the group of characters first seen ten years ago in Sherman Associate Artist Daf James’ award-winning Llwyth. A theatrical sequel, yes, but one where if you’re new to the characters, you won’t feel lost. If you are familiar with the previous play though, you’ll be rewarded with plenty of enjoyable nuggets and references.... Continue Reading →
Theatre Review: Strange Case of Dr Jekyll and Mr Hyde (Sydney Theatre Company) ★★★★★
Sydney Theatre Company Artistic Director, and director of Strange Case of Dr Jekyll & Mr Hyde, Kip Williams knows when he’s onto a good thing. After the breakout success of his technically and artistically brilliant The Picture of Dorian Gray, he’s picked another piece of transformative, gothic fiction to bring to the stage with the... Continue Reading →
Edinburgh Festival Fringe 2022 Theatre Review: Sap (Roundabout @ Summerhall) ★★★★★
When a woman tells a little lie, she can have no idea of the ways that it will germinate, sprout and grow. This new take on ancient mythology creates a Metamorphoses for the modern era, examining the power of shame and the roots it can take in all aspects of a person’s life. Funny, dark... Continue Reading →
Theatre Review: Fat Ham (Public Theater, New York) ★★★★★
UPDATE: Fat Ham's strictly limited 14-Week engagement at the American Airlines Theatre on Broadway has just been announced, with performances beginning Tuesday, March 21st, 2023 and officially opening on Wednesday, April 12th, 2023. While Michael R. Jackson's 2020 Pulitzer Prize-winning musical A Strange Loop is enjoying a hit run on Broadway—and is deservedly the most... Continue Reading →
Bases Instinct – Theatre Review: Take Me Out (Hayes Theater, New York) ★★★★1/2
As a little budding gay growing up in a small town, I surprised even myself by really being into baseball. I knew everything about the players and their stats. I collected the baseball cards and even rooted for the Pittsburgh Pirates despite being an Ohioan who should have supported the Cleveland Indians. Even as a... Continue Reading →
Theatre Review: Death Drop (Criterion Theatre, London) ★★★★
Jujubee is standing by the stage door, taking photographs with fans and laughing. “It’s so stupid. It’s SO STUPID, but it’s FUN stupid!” She says, succinctly summing up Death Drop. Reader, this show is so dumb, it’s genius! Category is “Drag-atha Christie”. Take the classic British murder-in-a-manor-house plot, fill the cast with drag kings and... Continue Reading →
Theatre Review: Steve (Seven Dials Playhouse, London) ★★★1/2
The tale of a middle-aged white gay New Yorker having romantic issues might not be the story the world is desperately crying out for at the moment, but Steve—now playing at the newly renamed Seven Dials Playhouse in London—is brisk, bright, and funny. There’s a sense of new beginnings about this production bringing Mark Gerrard’s... Continue Reading →