It’s really not often that a new play feels so electric, funny, and fierce that the audience alternates between literally falling off their seats with laughter, and stunned soulful silence. Dammit, I’m just going to say it, Seven Methods of Killing Kylie Jenner is the best new play I’ve seen in years. Moreblessing Maturure as... Continue Reading →
One thing we’ve learnt through this pandemic is that “Zoom theatre” is gawdawful. And while previously recorded theatre productions (like London’s brilliant National Theatre Live) have gone some way to filling the gap, new productions have been rare and of vastly varying quality. Which is why this production of The Picture of Dorian Gray is... Continue Reading →
After a hit debut run at Belvoir Theatre in 2020, the new musical Fangirls has made its way to the larger Seymour Center in Sydney to bring some preemptive post-pandemic music-mania to the stage. The tale of three schoolgirls and their obsession with the boyband True Connection and lead singer Harry (yes, you may notice... Continue Reading →
Who's afraid of Virginia Woolf? When you go to see a play about the famed writer you really don't expect to be laughing at bad sexting and awkward nudes! V&V, an entertaining new two-hander currently playing at The Vaults in London, juxtaposes the literary love affair of Woolf and socialite Vita Sackville-West with the modern... Continue Reading →
Developed as a part of Pipeline Theatre Company’s PlayLab, non-binary writer and director Sam Max's darkly comic Coop opens Off-Off-Broadway tonight at Paradise Factory in the East Village. Produced by a queer and femme led creative team, the play stars Latinx, transmasculine actor Lio Mehiel as Avery, a girl who has been isolated from the... Continue Reading →
Reworking Shakespeare’s Richard III into American High School territory, Teenage Dick feels like a mash-up - take Netflix’s The Politician, mix in the social media of Dear Evan Hansen, a dash of Six’s feminine re-framing and serve nice and hot. Of course, most of these shows debuted after Teenage Dick first took to the stage... Continue Reading →
Matthew Lopez’s Best Play Olivier award-winning The Inheritance, directed by Stephen Daldry, has arrived on Broadway following last year’s highly acclaimed production at London’s Young Vic and its West End transfer, with many of the original cast. Inspired by E. M. Forster’s novel Howards End, the epic two-part play examines multigenerational gay life in New... Continue Reading →
The simmering rage in a marriage has been the source of endless amounts of great theatre. Witty, sideways barbs that cut in ways only a lover would know, deflections and parries from an opponent who can predict your every move. Simon Woods’ debut play Hansard (named after the published record of parliamentary debates), has all... Continue Reading →
‘YES! Fleabag back on the stage, gotta get tickets!’ Posts like this filled my social media feeds earlier this year. Wonderful! I thought, now I can see Fleabag in its original form before I binge two seasons. Yes, I’m one of the few people who hasn’t seen the TV show yet. I can hear the... Continue Reading →
Harry Clayton-Wright has made a magnificent hour of theatrical storytelling that his mum should DEFINITELY never see. From graphic self-porn to personal revelations, Sex Education is a laugh out loud show with some thoughtful audience participation and a stunning climax.
