Mike Bartlett’s Cock, last seen in London in 2011, is not just a source of endless childish sniggers in the West End—though we are grateful for that—it is an innovative revisiting of an important queer play, directed by Marianne Elliott. Barlett was inspired by cock fighting in Mexico, mashed up with questions about sexuality and... Continue Reading →
The tale of a middle-aged white gay New Yorker having romantic issues might not be the story the world is desperately crying out for at the moment, but Steve—now playing at the newly renamed Seven Dials Playhouse in London—is brisk, bright, and funny. There’s a sense of new beginnings about this production bringing Mark Gerrard’s... Continue Reading →
Imagine if an employee of Goop had to road test everything their boss spouted. In one week. That’s the conundrum Celina (Emma Harvie) faces in David Finnigan's 44 Sex Acts in One Week. She’s a contract writer for a lifestyle clickbait site and she’s in need of cash. When she volunteers to review her influencer... Continue Reading →
Glace Chase’s play, Triple X, has finally hit the Sydney Theatre Company mainstage and it has been well worth the elongated wait. Fresh, complex, and hugely entertaining, this exploration of the love between a cis man and trans woman quickly demolishes your expectations and takes you on a ride filled with ethical backflips, emotional diversions,... Continue Reading →
