Hot Mess from The General Public at Sydney's King's Cross Theatre this month begins with an ode to those awkward public bathroom stall conversations you have with strangers at nightclubs (or is that just me?!), with the characters talking shit, literally. Uncomfortable and hilarious, I couldn't help but laugh throughout the show. The line, "the... Continue Reading →
Camp Morning Wood: A very Naked Musical, which opened Off-Broadway on Friday night at New York's Asylum Theatre, lives up to its title, and then some. It's camper than a row of tents and joyously body-positive, with a nearly continuous display of male nudity from the fearless and fully committed ensemble cast who seem just... Continue Reading →
It’s been a strange year, we all know it. Some of us found out we were brilliant bread bakers, others discovered they had a fitness fanatic within them, and some just hid under the covers and waited for the world to stop being a really scary place. Jack Holden however decided to sit down and... Continue Reading →
It’s really not often that a new play feels so electric, funny, and fierce that the audience alternates between literally falling off their seats with laughter, and stunned soulful silence. Dammit, I’m just going to say it, Seven Methods of Killing Kylie Jenner is the best new play I’ve seen in years. Moreblessing Maturure as... Continue Reading →
Watching Dead Skin—which won the State Theatre Company of South Australia’s Young Playwright’s Award and had its world premiere at the Kings Cross Theatre Sydney this week—I was impressed by the complexity of the narrative structure, the ease and flow of dialogue that authentically captures the energy and angst of youth, as well as the... Continue Reading →
One thing we’ve learnt through this pandemic is that “Zoom theatre” is gawdawful. And while previously recorded theatre productions (like London’s brilliant National Theatre Live) have gone some way to filling the gap, new productions have been rare and of vastly varying quality. Which is why this production of The Picture of Dorian Gray is... Continue Reading →
After a hit debut run at Belvoir Theatre in 2020, the new musical Fangirls has made its way to the larger Seymour Center in Sydney to bring some preemptive post-pandemic music-mania to the stage. The tale of three schoolgirls and their obsession with the boyband True Connection and lead singer Harry (yes, you may notice... Continue Reading →
Michael Breslin and Patrick Foley's frequently hilarious high camp queer absurdist dark comedy Circle Jerk is very 2020. It's confronting, chaotic, unrelenting, far-fetched, deranged, and overstimulating. The theatrical equivalent of spending 100 minutes or so multi-screen doom scrolling yourself down a wormhole of alt right conspiracy theory threads punctuated with viral TikTok lip sync videos... Continue Reading →
The opening of amfAR’s digital The Great Work Begins: Scenes from Angels in America, which premiered on Broadway.com’s YouTube channel on October 8th, places the memory of the AIDS pandemic at its worst alongside now all too familiar images from 2020’s battle with COVID-19. The opener is a stark and sobering reminder of an obvious... Continue Reading →
Who's afraid of Virginia Woolf? When you go to see a play about the famed writer you really don't expect to be laughing at bad sexting and awkward nudes! V&V, an entertaining new two-hander currently playing at The Vaults in London, juxtaposes the literary love affair of Woolf and socialite Vita Sackville-West with the modern... Continue Reading →
