Charismatic, likable and a bit of an oversharer, Blowhole's protagonist draws the audience into a world of digital dating, complex relationships and the power of the hole pic. Benjamin Salmon in Blowhole. Photo Credit: Darren Bell. We meet Him as he sits on the "throne" that takes centre stage. He explains he is hiding in... Continue Reading →
Danny Ball is alive as Ari, the drug-fueled, hungry protagonist of Loaded, an adaptation of Christos Tsiolkas’ novel of youthful queer excess in Melbourne, Australia. Updated to the 2020s by Tsiolkas and Dan Giovannoni, this one-man show is a fierce dive into the brain and body of a second-generation Greek-Australian defying the world around him.... Continue Reading →
The soap opera at the heart of Tony Award and Pulitzer Prize-winning A Strange Loop creator Michael R. Jackson's uproarious new Off-Broadway musical, that gives the show its title and catchy recurring theme song, White Girl In Danger, is set in the town of "Allwhite" and features a story that is "Allwhite", as the opening... Continue Reading →
2022 Nancy Dean Lesbian Playwriting Award-winner, Es & Flo, is a tender and moving portrayal of the powerful bond between two women across the decades. As the play opens, we meet Es on her birthday and discover that her memory isn’t what it used to be. Peppered with details of the couple's life together, revelations... Continue Reading →
GALECA: The Society of LGBTQ Entertainment Critics announced this week that it is expanding its mission to honor Broadway and Off-Broadway productions, across a variety of inaugural categories, beginning with the 2022-2023 theater season. Following GALECA’s established Dorian film and TV honors, its Dorian Theater Awards will celebrate both mainstream and LGBTQ+ themed productions. While... Continue Reading →
Edward Albee’s pedigree as the chronicler of domestic dysfunction is well earned and the Sydney Theatre Company’s new production of The Goat or, Who is Sylvia revels in the nasty details. Dark comedies don’t get much darker than this, and when we say "the goat", we don't mean "the greatest of all time". Martin and... Continue Reading →
Playwright Thomas Bradshaw retains the spirit of one of Chekhov's most celebrated works while bringing it sharply into present day America with his adaptation, The Seagull/Woodstock, NY, currently receiving its world premiere Off-Broadway produced by The New Group at Pershing Square Signature Center. As the title suggests, the action has been transposed from rural Russia... Continue Reading →
Sydney's Hayes Theatre is taking us back a century this WorldPride season with the roaring twenties set, classic 1940s feel-good musical comedy Gentlemen Prefer Blondes. The Hayes has really gone to town with this production; there are big voices, a big marketing push, and a big set (perhaps a little too big for the space).... Continue Reading →
There’s a simple pleasure to be had in sitting back and watching everything on stage being done well. Belvoir’s new queer family dramedy, Blessed Union, is seamlessly terrific. Funny, emotive, and probing. Flawless. No notes. I could end the review here, but obviously I won't... Ruth (Danielle Cormack) and Judith (Maude Davey) have always upheld... Continue Reading →
Ever dodged a legion of hurtling luxury baby strollers on Bleecker Street, only to run into a gaggle of tourists taking selfies outside Carrie's stoop on Perry, and dreamed of going back to Greenwich Village in the late 70s—during that fleeting era of queer liberation post-Stonewall and pre-AIDS—even just for one evening? Well, now you... Continue Reading →
