Renowned HIV+ theatre maker and queer arts producer Jeremy Goldstein surveys Sydney WorldPride Arts for The Queer Review, and finds a radically inclusive multi-artform festival of gender, identity, and sexuality. Beyond the Mardi Gras and the usual circuit parties, WorldPride Arts reinvents the harbour city as one of the world’s greatest LGBTQIA+ cultural destinations. I... Continue Reading →
There’s a simple pleasure to be had in sitting back and watching everything on stage being done well. Belvoir’s new queer family dramedy, Blessed Union, is seamlessly terrific. Funny, emotive, and probing. Flawless. No notes. I could end the review here, but obviously I won't... Ruth (Danielle Cormack) and Judith (Maude Davey) have always upheld... Continue Reading →
Sydney Theatre Company Artistic Director, and director of Strange Case of Dr Jekyll & Mr Hyde, Kip Williams knows when he’s onto a good thing. After the breakout success of his technically and artistically brilliant The Picture of Dorian Gray, he’s picked another piece of transformative, gothic fiction to bring to the stage with the... Continue Reading →
Glace Chase’s play, Triple X, has finally hit the Sydney Theatre Company mainstage and it has been well worth the elongated wait. Fresh, complex, and hugely entertaining, this exploration of the love between a cis man and trans woman quickly demolishes your expectations and takes you on a ride filled with ethical backflips, emotional diversions,... Continue Reading →
Watching Dead Skin—which won the State Theatre Company of South Australia’s Young Playwright’s Award and had its world premiere at the Kings Cross Theatre Sydney this week—I was impressed by the complexity of the narrative structure, the ease and flow of dialogue that authentically captures the energy and angst of youth, as well as the... Continue Reading →
