As the second season of hit series Heartstopper based on Alice Oseman's bestselling graphic novels launches globally on Netflix this week, The Queer Review's editor James Kleinmann speaks exclusively with its BAFTA-winning director Euros Lyn. In the opening episode, we're reunited with new boyfriends in the midst of first love, Charlie (Joe Locke) and Nick... Continue Reading →
New Queer Cinema pioneer Todd Haynes' The Velvet Underground, which had its world premiere at Cannes and recently played the New York Film Festival, is an exquisitely crafted, invigorating time capsule which uses music, contemporary film, archive interviews, and present day commentary from those who were there, to immerse us in New York's avant-garde culture... Continue Reading →
The Sundance Film Festival, which runs January 28th to February 3rd, has just announced this year's series of talks, panels, and events including the lineup for The Big Conversation, discussions that explore what's fuelling the imaginations of today’s independent artists. Among the program is Barbed Wire Kisses Redux which will see film scholar B. Ruby... Continue Reading →
Following her work as director of photography on Sam Feder's groundbreaking documentary Disclosure, Ava Benjamin Shorr has now lensed the dynamic and stirring four-part LGBTQ+ civil rights docu-series Equal, which premieres on HBO on Thursday October 22nd. Her work on the series saw her collaborate with directors Stephen Kijak and Kimberly Reed to create visually... Continue Reading →
Todd Verow's 1995 feature debut Frisk elicited strong reactions, resulting in a near riot, when it world premiered on as the closing night of the 19th San Francisco International Lesbian & Gay Film Festival (now Frameline) at the iconic Castro Theatre, before going on to screen at Sundance, Berlin and Toronto. Based on Dennis Cooper's... Continue Reading →
I’ve often wondered if Wes Anderson were to drop his dioramas and deadpan style, could he make a good, straight up drama? What does a Christopher Nolan musical look like? Does Quentin Tarantino have a Tiffany Haddish comedy in him? Can auteurs put their stamp on made-for-hire movies? These questions keep me up at night.... Continue Reading →
