As 2025 draws to a close, we invite some friends of The Queer Review, including prominent creators, performers, and activists to share the LGBTQ+ culture that has sustained, stimulated, moved, inspired, or brought them solace this year. We hope that you enjoy this eclectic selection and discover something new to revel in. We would love... Continue Reading →
As 2024 draws to a close, we invite some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture that has sustained, stimulated, moved, inspired, or brought them joy this year. We hope that you enjoy this eclectic selection and discover something new to revel in. We would... Continue Reading →
The new queer cinema of the 1990s gets reborn courtesy of one of its OGs, Todd Verow. With his micro-budget new thriller, You Can’t Stay Here, co-written by longtime collaborator James Derek Dwyer, that raw, confrontational, punk sensibility feels like a breath of fresh air in our current stale, over-processed cinematic environment. Harkening back to... Continue Reading →
As 2023 draws to a close, we invite some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture that has sustained, stimulated, moved, inspired, or brought them joy this year. We hope that you enjoy reading this eclectic selection and discover something new to revel in. We... Continue Reading →
As 2022 draws to a close, we ask some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture or events that have sustained, stimulated, moved, inspired or brought them joy this year. We hope that you enjoy reading this eclectic selection of theatre, film, TV series, books,... Continue Reading →
Guillermo Díaz, star of TV shows like Scandal, Weeds, Law & Order: Organized Crime, and movies like Party Girl, Stonewall (1995), and Billy Eichner's upcoming BROS, will take the lead in Todd Verow's 90s New York set queer horror thriller You Can't Stay Here. The project, which recently launched an Indiegogo campaign, is loosely inspired by real events... Continue Reading →
The 36th BFI Flare: London LGBTQIA+ Film Festival came to a close last weekend with the world premiere of Kevin Hegge’s vibrant and immersive celebration of the creative spirit of the New Romantics, Tramps! The high-spirited, sold out event, attended by Hegge and many of the film's subjects, marked the end of a thrilling edition... Continue Reading →
With the end of this challenging year in sight, we asked some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture or events that sustained, stimulated, or inspired them in 2021. The eclectic list features two deserving mentions for a Spanish-language limited TV series that was released... Continue Reading →
The lineup for the 2021 Outfest Los Angeles LGBTQ Film Festival, running Friday August 13th to Sunday August 22nd, has just been announced with a mix of outdoor events, indoor screenings for vaccinated moviegoers, and online streaming. The 39th edition of the world's largest LGBTQIA+ film festival boasts an impressive range of narrative features, documentaries,... Continue Reading →
I'm not going to call Midnight Cowboy a masterpiece, that is a word that gets thrown around too much (like luxury it has lost it has lost all meaning.) Midnight Cowboy is better than that. It is a perfect film. All of the elements: the script, the direction, the casting, the costumes, the cinematography, the... Continue Reading →
