Edinburgh Festival Fringe 2025 Theatre Review: Midnight at the Palace (Gilded Balloon Patter Hoose) ★★★★★

Loud, proud and in your face - it is time to meet The Cockettes. Birthed in the era of free love and flower power, this flamboyant group of misfits are back to give Edinburgh audiences a San Francisco slice of queer history. Photo credit: Damian Robertson Founded by "Hibiscus" (a.k.a. George Harris), most recognisable for... Continue Reading →

Edinburgh Festival Fringe 2025 Theatre Review: The City for Incurable Women (Pleasance Courtyard) ★★

In the Paris of the 1880s, Dr Jean Martin Charcot is studying hysteria at the SalpĂªtrière Hospital. Despite being a condition that affects all genders, Charcot and his contempories focus on the female patients, attempting to prove their theories about the "four stages of madness", exhibiting the women and having them "perform" for the public.... Continue Reading →

Edinburgh Festival Fringe 2025 Theatre Review: Count Dykula (Pleasance Dome) ★★★ / Lesbian Space Crime (Pleasance Dome) ★★★★

This comedic double bill from Airlock Theatre provides a one-two punch of queer musical theatre at its very campest. Eleanor Colville and Rosanna Suppa in Lesbian Space Crime. Photo credit: Alex Brenner Written and performed by Eleanor Colville, Rosanna Suppa and Robbie Taylor Hunt, Count Dykula and Lesbian Space Crime are both camp musical romps,... Continue Reading →

Edinburgh Festival Fringe 2024 Theatre Review: Every Brilliant Thing (Summerhall) ★★★★★

Touching, uplifting and thoughfully created, this 10th anniverary production of Every Brilliant Thing is as meaningful now as when it was first staged. Jonny Donahoe in Every Brilliant Thing. Photo credit: Mihaela Bodlovic. Skillfully written and expertly performed, this is a truly collaborative piece from Duncan Macmillan and Jonny Donahoe. The story follows our unnamed... Continue Reading →

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