In the early 1990s, at the height of the AIDS crisis, I was an active member of ACT UP (AIDS Coalition to Unleash Power), a grassroots group who helped to improve the lives of people living with the virus in ways gentle and compassionate and in other ways loud and dotted with instances of civil... Continue Reading →
Can a prison romance exist in the outside world? That’s the central question filmmaker Jon Garcia asks with Luz, the story of Ruben (Ernesto Reyes) and Carlos (Jesse Tayeh) who struggle to translate their secretive relationship into an open one when released. The dynamic between the men changes and evolves from reluctant cellmates, to mentor/mentee,... Continue Reading →
Watching Barb & Star Go To Vista Del Mar reminded me of a conversation I had in 2013 with double Oscar-winning serious acTOR, writer and British national treasure Dame Emma Thompson (name drop clang) about silliness after I told her how silly I thought the film I was about to interview her about (Joel Hopkins'... Continue Reading →
If you need a reminder that trans women and drag queens are the true pioneers of LGBTQ+ acceptance in the world, look no further than Chad Hahne’s documentary Transformistas, the story of a group of drag performers who defied the law to build a community in 90s communist Cuba. The film will receive its Australian... Continue Reading →
Jane Schoenbrun's unsettling genre-defying feature debut We're All Going to the World's Fair, which world premiered at Sundance, captures much of the loneliness, isolation, and absorption in our screens that so many of us have experienced over the last year, though it was actually conceived and shot in pre-Covid times. As the film opens, we... Continue Reading →
Thanks to the programmers of Sundance's New Frontiers section for giving me the best night out I've had since last March (without having to leave my apartment or get out of my pyjamas) with creator-writer-star Jibz Cameron and director Mariah Garnett's Weirdo Night. Acknowledging, but not dwelling on, the lack of audience in the room... Continue Reading →
BAFTA-nominated British filmmaker Edgar Wright, known for his adept and creative use of music in movies like Baby Driver and Scott Pilgrim vs. the World, has devoted several years to making his feature documentary debut about his favourite band, Sparks. Whether you're a lifelong fan, casual admirer, or have never knowingly heard their music before,... Continue Reading →
Part of Sundance 2021's Spotlight program, director Mona Fastvold's Queer Lion-winning The World to Come, adapted from a short story by Jim Shepard, immerses us in the bleak daily life of a contemplative mid-nineteenth century woman, Abigail (Katherine Waterston), living on the stark, unforgiving Northeastern frontier with her husband Dyer (Casey Affleck). The film opens... Continue Reading →
Filmmaker Pacho Velez, who made 2017's exceptional archive footage doc The Reagan Show, turns his camera on himself and a diverse cross-section of his fellow New Yorkers looking for dates online in Searchers. The film's effective visual conceit places us as viewers behind the screens that the subjects are looking at, as if we're curious... Continue Reading →
With such films as Ma Rainey’s Black Bottom and One Night In Miami, 2020 has given us some expert adaptations of plays. Add The Father alongside these titles as a case study in making something so stage-bound feel so beautifully cinematic. It also rises to the top of the heap of another trend, the dementia... Continue Reading →
