As much as I’m drawn to true crime documentaries, they often let me down with their ambiguity and unresolved endings. Wait! Everything is speculative? We don’t find out who did it? Life’s complicated enough. I need closure! So consider my surprise when I watched My Brother’s Killer, which premiered at SXSW 2026. Rachel Mason’s jaw-dropping,... Continue Reading →
If you’re a fan of overly theatrical, archly campy cinema, then sit down (pun very much intended). I’ve got a film for you! Filmmaker Amanda Kramer first came to my attention with her 2022 feature, Please Baby Please, which showcased her distinctive voice as a cinematic absurdist. Combining John Waters-esque emphatic, over the top performances... Continue Reading →
Watching the promotional campaign for Harry Lighton's debut feature Pillion play out, since its award-winning world premiere at Cannes last year and its UK opening in late November, has—appropriately enough—felt like an extended edging session. Thankfully, the climax was worth all the teasing and anticipation that came with the perfectly orchestrated slow drip of tantalizing... Continue Reading →
It’s funny how the catchphrase “Stop the insanity!” means something so different now than when anyone of age in the 90s first heard it. Now it feels like my mantra in response to the horror show of the daily news cycle, whereas during the grunge/dot-com decade, the phrase only referred to a ubiquitous infomercial exercise... Continue Reading →
Remember those nights, before most of us cut our cables, spent flipping through endless channels without ever settling on one show or movie? Appropriately enough, that is the sensation I had watching David Shadrack Smith's kinetic feature debut Public Access which world premiered at the 2026 Sundance Film Festival in the U.S. Documentary Competition. This... Continue Reading →
There’s something inherently destabilizing about a room full of naked men. Trust me, I know—as a trans man who frequents a clothing-forbidden Korean spa (for the spa water, not the schlongs)—a room of naked men is enough to disrupt the monolithic idea of what it is to be a man. Not because of sex, exactly,... Continue Reading →
Brydie O'Connor's tenderly-crafted feature debut Barbara Forever, world premiering in the U.S. Documentary Competition at the 2026 Sundance Film Festival, is as sensual, intimate and uninhibited as much of the work of its prolific subject, pioneering lesbian filmmaker Barbara Hammer. Immediately drawing us into Hammer's world, where the personal and artistic are interwoven, we hear... Continue Reading →
The Boyfriend is back (now he's back and things'll be fine) as Netflix’s Japanese gay reality dating series returns for an even stronger sophomore season. Second chances are the name of the game in this thoughtful, introspective, and charming series. The Boyfriend Season 2. Courtesy of Netflix. Eight eligible men between the ages of 20... Continue Reading →
Contains spoilers It’s been a moment since a TV show was almost unavoidable in both media discussions and memeification, but it’s currently impossible to miss "the gay hockey show" aka Heated Rivalry, writer-director-producer Jacob Tierney's adaptation of Rachel Reid’s Game Changer series of novels. Hudson Williams as Shane Hollander and Connor Storrie as Ilya Rozanov... Continue Reading →
For decades now, people constantly tell me how movies just aren’t as good as in the past. To use a technical term, I “poo-poo” that sentiment and respond that great movies have been around, you just have to look a little harder. Some years yield better results than others, and for me, 2025 gave us... Continue Reading →
