Prosecutor: 'Do you know how many people die from taking selfies each year?Andy Warhol: 'Not enough'. Last night at Joe's Pub in Downtown Manhattan, on the 35th anniversary of Andy Warhol's death, writer-star Ryan Raftery took to the stage to channel the pop artist in his latest biomusical comedy, The Trial of Andy Warhol. In... Continue Reading →
Vault Festival Theatre Review: Trade (Omnibus Theatre, London) ★★★★
Complex, challenging and more than a little surprising, Trade plunges the audience into the murky and perilous world of the European sex-trafficking industry. Unflinching, unapologetic and at times deeply uncomfortable, Trade is a well performed and thoughtfully directed piece that never shies away from the difficult questions.
Theatre Review: Lizzie (Hayes Theatre/Sydney Festival) ★★★1/2
Lizzie, an early 00s power punk-pop musical about Lizzie Borden—the turn-of-the-century axe murderer—has been ripped apart and put back together for the Sydney Festival. Dial down the history, turn up the lesbian rage. “Lizzie Borden took an axe, And gave her mother forty whacks; When she saw what she had done, She gave her father... Continue Reading →
Theatre Review: 44 Sex Acts in One Week (Sydney Festival) ★★★1/2
Imagine if an employee of Goop had to road test everything their boss spouted. In one week. That’s the conundrum Celina (Emma Harvie) faces in David Finnigan's 44 Sex Acts in One Week. She’s a contract writer for a lifestyle clickbait site and she’s in need of cash. When she volunteers to review her influencer... Continue Reading →
Theatre Review: Triple X (Sydney Theatre Company) ★★★★1/2
Glace Chase’s play, Triple X, has finally hit the Sydney Theatre Company mainstage and it has been well worth the elongated wait. Fresh, complex, and hugely entertaining, this exploration of the love between a cis man and trans woman quickly demolishes your expectations and takes you on a ride filled with ethical backflips, emotional diversions,... Continue Reading →
Theatre Review: The Return of the Jinkx & DeLa Holiday Show, LIVE! ★★★★★
Last night saw certified drag legends BenDeLaCreme and Jinkx Monsoon play the first of two shows at New York's Town Hall, as part of the US leg of their The Return of the Jinkx & DeLa Holiday Show, LIVE! tour which runs until December 30th. The queens, who have once again co-written this year's festive... Continue Reading →
Theatre Review: The Normal Heart (National Theatre, London) ★★★★
The Normal Heart has returned to the UK in its first major production since the original, and taking over the National Theatre's Oliver stage, directed by Dominic Cooke (in a co-production with his Picturehouse production company) it is quite the return. In many ways, Kramer’s is a time capsule of that time of dark desperation... Continue Reading →
Dr Emily Garside on queering her own play Don’t Send Flowers at London’s White Bear Theatre
An issue I have often is a sense of ‘queer imposter syndrome’ the idea that I’m just not quite queer enough for the spaces I occupy. In part, this comes from identifying as pansexual and feeling like there’s not quite a place for me. It also comes from the fact, as someone who doesn’t limit... Continue Reading →
Theatre Review: Hot Mess (KXT Bakehouse, Sydney) ★★★1/3
Hot Mess from The General Public at Sydney's King's Cross Theatre this month begins with an ode to those awkward public bathroom stall conversations you have with strangers at nightclubs (or is that just me?!), with the characters talking shit, literally. Uncomfortable and hilarious, I couldn't help but laugh throughout the show. The line, "the... Continue Reading →
Theatre Review: Camp Morning Wood – A very Naked Musical (Asylum Theatre, New York) ★★★
Camp Morning Wood: A very Naked Musical, which opened Off-Broadway on Friday night at New York's Asylum Theatre, lives up to its title, and then some. It's camper than a row of tents and joyously body-positive, with a nearly continuous display of male nudity from the fearless and fully committed ensemble cast who seem just... Continue Reading →