Fusing absurdist theatre, contemporary dance and creative captioning, Stop Playing Jacob’s Ladder With My Spine puts a spotlight on unseen habits and rituals, and how being observed can cause an intense sense of shame. Stop Playing Jacob’s Ladder With My Spine plays at Zoo Southside, Edinburgh until August 30th 2026. HotCat Collective credit the image... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: The BBC’s First Homosexual (Assembly George Square) ★★★★
Thoughtfully researched by historian Marcus Collins, and with special permission from the BBC, Dr Stephen M Hornby's new play about the making of the BBC's first documentary on homosexuality is both a excellent theatrical work and an important reflection on queer history. Max Lohan and Andrew Pollard. Photo credit: Kelsea Knox. Based on a historic... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: MAN!FEST: The Drag Boyband Musical (Pleasance Courtyard) ★★★
They are here to rock your body while hanging tough. No matter what they tell us, the "boys" of Man!fest are back - but for good? This drag king musical is high-octane fun, but behind the glitz and glam it seems being in a manufactured pop group ain't nothing but a heartache. The manosphere is... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: Next to Normal (Paradise in Augustines) ★★★★
Bare Productions present the Scottish premiere of Next to Normal, the Tony Award and Pulitzer Prize-winning musical about a family trying to navigate mental illness, bereavement, and what it means to be "normal". Zac McGuire, Briakaih Flore and Greg McCafferty-Thompson. Photo Credit: Andrew Perry. Unless you have seen Next to Normal before, you would likely... Continue Reading →
Edinburgh Festival Fringe 2026 Theatre Review: Sad Bride (Pleasance Courtyard) ★★★★
Bold, hilarious and discomfiting in equal measure, Sad Bride is a darkly-comic solo show about the pressures to conform, and the myth that happy endings will present themselves if you do. Charlotte Merriam in Sad Bride. Photo credit: Ella Dale. Written and performed by Charlotte Merriam, the character of Bride Thompson is both wholly recognisable... Continue Reading →
Theatre Review: Suzie Toot’s Suzie with a Z cabaret tour (City Winery, New York) ★★★★
Toot or boot? It's a toot! RuPaul's Drag Race season 17 fan favoruite, crowned that season's LaLaPaRuza winner and the Queen of She Done Already Done Had Herses, Suzie Toot, debuted her latest cabaret show—Suzie with a Z—at New York's City Winery on Wednesday night ahead of a US tour. From the moment she appeared... Continue Reading →
Pucking hilarious – Theatre Review: Heated Rivalry The Unauthorized Musical Parody (The Culture Club, Off-Broadway) ★★★★
When I hear the words "musical parody" my sphincter tends to tighten, but just a few bars in watching Heated Rivalry: The Unauthorized Musical Parody—now playing Off-Broadway at The CuIture Club—I knew there was nothing to fear, and immediately loosened up. Now, let's leave the butt references to the show...they are bountiful. With book, music,... Continue Reading →
Theatre Review: End of the Rainbow (Soho Theatre Walthamstow, London) ★★★★
Jinkx Monsoon shines as the iconic Judy Garland in a breathtaking performance. I remember when Jinkx Monsoon debuted as Matron "Mama" Morton in Chicago on Broadway in 2023. Reporting on the reaction to her first night on The Great White Way from this side of the pond it was clear that Monsoon’s star power far... Continue Reading →
Theatre Review: The Rocky Horror Show (Studio 54, Broadway) ★★★★★
Rocky Horror is back on Broadway for only the third time in 50 years, and it's a scream. It's also queerer than ever and horny AF. I'm sure that I haven't been alone in shivering with antici...pation, ever since last March when Roundabout Theatre Company announced that their revival of Richard O’Brien’s The Rocky Horror... Continue Reading →
Theatre Review: Cats The Jellicle Ball (Broadhurst Theatre, Broadway) ★★★★★
Co-directors Zhailon Levingston and Bill Rauch's award-winning 2024 Off-Broadway production of Cats: The Jellicle Ball at Perelman Performing Arts Center (PAC NYC), which imaginatively reinterpreted Andrew Lloyd Webber’s 1981 musical theatre classic by placing it in the world of New York's Ballroom scene, blew me away. It was the talk of the town that summer... Continue Reading →
