Film Review: Firebird ★★★1/2

Based on the memoir of Sergey Fetisov, Peeter Rebane's achingly romantic Firebird is released in US theaters today. After receiving its world premiere at last year's BFI Flare, the film went on be a queer festival hit, garnering award recognition along the way including honorable mention for Best First Feature at Frameline and snatching wins... Continue Reading →

LGBTQ+ highlights at Sundance 2022

UPDATE: January 5th 2022, Sundance announced that the Festival’s in-person Utah elements will be moving online. The Festival will begin Thursday January 20th 2022 as planned with screening schedule adjustments to be announced to account for an online only schedule. The seven satellite partners will host screenings for their local communities from January 28th-30th 2022. With... Continue Reading →

Exclusive Interview: Oscar-nominated filmmaker Arthur Dong on his Criterion Channel retrospective “it’s up to us to find a way to survive & to resist”

In 1984, trailblazing independent filmmaker Arthur Dong received an Oscar nomination for Sewing Woman, a touching documentary short about the life of a Chinese immigrant worker in San Francisco, his mother Zem Ping Dong. This recognition marked the director as an emerging artist to watch, while the film itself exemplified what would become hallmarks of... Continue Reading →

Exclusive Interview: filmmaker John Berardo on his new horror Initiation “we put men in vulnerable half naked positions because the slasher genre does that to women”

If you're a fan of the slasher movies of the 70s and 80s like Black Christmas and The Slumber Party Massacre, or their post-modern dark comedy incarnations like Scream, you'll likely appreciate the edgy, contemporary social media fueled spin that filmmaker John Berardo puts on the subgenre with his gripping and gruesome debut feature Initiation.... Continue Reading →

Exclusive Interview: filmmaker Oliver Hermanus on his BAFTA nominated Moffie “I didn’t want the film to get stuck in the weeds of becoming a queer fantasy of men in the military”

In 2009 queer South African filmmaker Oliver Hermanus' debut feature Shirley Adams, which he made while still a student at the prestigious London Film School, premiered in competition at Locarno, with his subsequent film, Beauty (Skoonheid) winning the Queer Palm at the 64th Cannes Film Festival, where it played in the Un Certain Regard competition... Continue Reading →

Up ↑