Dr Emily Garside's guide to which HIV/AIDS narratives to read and watch next after Russell T Davies' acclaimed series It's A Sin. There is a vast array of work to choose from. Since the beginning of the AIDS pandemic those affected began telling their stories, both as an act of memorial, remembering those the government... Continue Reading →
Pedro Almodóvar’s The Human Voice ★★★★
Pedro Almodóvar's intoxicating English-language debut, the thirty-minute short film The Human Voice, is "freely based on" the play by Jean Cocteau that was first staged in Paris in 1930, which the filmmaker previously referenced in 1987's Law of Desire, and initially inspired him to write 1988's Women On the Verge Of A Nervous Breakdown. A... Continue Reading →
BFI Flare 2021 Film Review: Sublet ★★★★
Veteran Israeli filmmaker Eytan Fox's outstanding new feature Sublet, co-written with Itay Segal, opens with the arrival of a jetlagged and disorientated fifty something gay man, Michael (The Inheritance's John Benjamin Hickey) to bustling Tel Aviv. He's a travel writer for The New York Times who has come to uncover the "real" city over a... Continue Reading →
Exclusive Interview: David Färdmar on his gay breakup movie Are We Lost Forever “I wanted to challenge viewers to think for themselves”
Breaking up is hard to do as Swedish filmmaker David Färdmar explores in his brooding bittersweet debut feature Are We Lost Forever premiering in the UK and Ireland via Peccadillo Pictures on DVD, Blu-ray, and digital on Monday January 18th. When we first meet protagonists Adrian (Björn Elgerd) and Hampus (Jonathan Andersson) they're sitting up... Continue Reading →
Sundance 2021: B. Ruby Rich to host Barbed Wire Kisses Redux panel with LGBTQ+ filmmakers
The Sundance Film Festival, which runs January 28th to February 3rd, has just announced this year's series of talks, panels, and events including the lineup for The Big Conversation, discussions that explore what's fuelling the imaginations of today’s independent artists. Among the program is Barbed Wire Kisses Redux which will see film scholar B. Ruby... Continue Reading →
Film Review: The Prom ★★★★
While Broadway remains dark after more than nine months, with the help of a little movie magic and an impressively detailed set (production design by Jamie Walker McCall), The Prom, lights up 42nd street once more and delivers a joyous, thoroughly uplifting movie musical where the dialogue scenes pop just as much as the song... Continue Reading →
Exclusive Interview: filmmaker Vivian Kleiman & curator Ashley Clark on Race, Sex & Cinema: The World of Marlon Riggs
This month, the Criterion Channel is celebrating the groundbreaking work and enduring legacy of the late queer Black filmmaker, activist, poet and educator Marlon Riggs. Race, Sex & Cinema: The World of Marlon Riggs features a complete retrospective of his still searingly urgent, provocative, nuanced, and beautifully crafted video work exploring Black identity and representation,... Continue Reading →
Exclusive Interview: New Queer Cinema digital pioneer Todd Verow on his latest feature Goodbye Seventies “all of my films have led up to this one”
Todd Verow's 1995 feature debut Frisk elicited strong reactions, resulting in a near riot, when it world premiered on as the closing night of the 19th San Francisco International Lesbian & Gay Film Festival (now Frameline) at the iconic Castro Theatre, before going on to screen at Sundance, Berlin and Toronto. Based on Dennis Cooper's... Continue Reading →
Oh, Mary! There’s a new trailer for Netflix’s The Boys in the Band
The trailer for director Joe Mantello's new screen adaptation of Mart Crowley's The Boys in the Band has just made its debut online. The Ryan Murphy produced film version of this classic play that explores internalised homophobia with poignancy and humour, reunites Mantello with the stellar all gay cast of the Tony-winning 2018 Broadway production.... Continue Reading →
Outfest 2020 Film Review: Boys Shorts
For many years, most LGBTQ+ festivals reserved their best short films for the Boys and Girls Shorts programs. Usually deemed the sexiest, funniest, or most cinematic of the bunch, they typically play to sold out audiences. Fortunately, shorts submissions have diversified and have showcased such incredible talent that festivals like Outfest offer a whole host... Continue Reading →
