Edinburgh Festival Fringe 2023 Theatre Review: Good Morning, Faggi (Summerhall) ★★★★

This charismatic, coming of age journey is skillfully performed and deftly devised. It challenges the audience to consider how liberals centre themselves in coming-out narratives, and question if tolerance is enough to end systemic oppression. Axel Ingi Árnason and Bjarni Snæbjörnsson in Good Morning, Faggi. Photo Credit: Leifur Wilberg. Good Morning, Faggi is the kind... Continue Reading →

Loaded (Beckett Theatre, Melbourne) ★★★★★

Danny Ball is alive as Ari, the drug-fueled, hungry protagonist of Loaded, an adaptation of Christos Tsiolkas’ novel of youthful queer excess in Melbourne, Australia. Updated to the 2020s by Tsiolkas and Dan Giovannoni, this one-man show is a fierce dive into the brain and body of a second-generation Greek-Australian defying the world around him.... Continue Reading →

Theatre Review: Circle Jerk ★★★★

Michael Breslin and Patrick Foley's frequently hilarious high camp queer absurdist dark comedy Circle Jerk is very 2020. It's confronting, chaotic, unrelenting, far-fetched, deranged, and overstimulating. The theatrical equivalent of spending 100 minutes or so multi-screen doom scrolling yourself down a wormhole of alt right conspiracy theory threads punctuated with viral TikTok lip sync videos... Continue Reading →

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