This charismatic, coming of age journey is skillfully performed and deftly devised. It challenges the audience to consider how liberals centre themselves in coming-out narratives, and question if tolerance is enough to end systemic oppression. Axel Ingi Árnason and Bjarni Snæbjörnsson in Good Morning, Faggi. Photo Credit: Leifur Wilberg. Good Morning, Faggi is the kind... Continue Reading →
Theatre Review: End Of. (Griffin Theatre Company, Sydney) ★★★1/2
Ash Flanders' one-person show, End Of., is a mood. It’s a bizarre ride through death, grammar, and bad acid trips. I guess I’m trying to say that End Of. is a bit messy and incoherent, but then who said the destination had to be as good as the journey anyway? A succession of stories both... Continue Reading →
Theatre Review: Tylwyth (Sherman Theatre, Cardiff) ★★★★
Tylwyth revisits the group of characters first seen ten years ago in Sherman Associate Artist Daf James’ award-winning Llwyth. A theatrical sequel, yes, but one where if you’re new to the characters, you won’t feel lost. If you are familiar with the previous play though, you’ll be rewarded with plenty of enjoyable nuggets and references.... Continue Reading →
Theatre Review: Patience (2ST UPTOWN, New York) ★★★1/2
For five years running, Daniel (Justiin Davis) has been the world's reigning solitaire champion. Yes, the solo card game, otherwise known as patience. He's been described as "the Venus Williams of solitaire", as he points out himself, and at only 25, his skills have already made him internationally famous and wealthy. He's just moved into... Continue Reading →
Theatre Review: Alexis Gregory’s Riot Act ★★★★★
This summer, Alexis Gregory’s critically acclaimed Riot Act has been on a UK Pride tour with a mix of live and streamed shows, following successful outings of the play at London's Arcola Theatre and on the West End. In its new reimagined online format, it remains powerful, dynamic, and engaging. Writer and performer Alexis Gregory interviewed... Continue Reading →
Edinburgh Festival Fringe 2022 Theatre Review: Rajesh & Naresh (Summerhall) ★★★
Feeling that something is missing from his life, British Asian banker Rajesh takes his mother’s advice and travels to India for the first time since childhood. Meanwhile Naresh, a socially-awkward cricket bat maker, is on the verge of giving up hope of meeting the man of his dreams. Bhramdeo Shannon Ramana and Madhav Vasantha. Photo... Continue Reading →
Theatre Review: Become The One (Riverside Theatre, Sydney) ★★★★
With footballers like Australia's Josh Cavallo and the UK's Jake Daniels bravely coming out, the timing of the return run of Adam Fawcett’s 2019 play Become The One couldn’t be better. How does a relationship work when one of you stays in the closet? What’s the impact on your other relationships? How long can it... Continue Reading →
Bases Instinct – Theatre Review: Take Me Out (Hayes Theater, New York) ★★★★1/2
As a little budding gay growing up in a small town, I surprised even myself by really being into baseball. I knew everything about the players and their stats. I collected the baseball cards and even rooted for the Pittsburgh Pirates despite being an Ohioan who should have supported the Cleveland Indians. Even as a... Continue Reading →
Theatre Review: Cock (Ambassadors Theatre, London) ★★★★
Mike Bartlett’s Cock, last seen in London in 2011, is not just a source of endless childish sniggers in the West End—though we are grateful for that—it is an innovative revisiting of an important queer play, directed by Marianne Elliott. Barlett was inspired by cock fighting in Mexico, mashed up with questions about sexuality and... Continue Reading →