With footballers like Australia's Josh Cavallo and the UK's Jake Daniels bravely coming out, the timing of the return run of Adam Fawcett’s 2019 play Become The One couldn’t be better. How does a relationship work when one of you stays in the closet? What’s the impact on your other relationships? How long can it... Continue Reading →
GLAAD Awards Exclusive Interview: Michael R. Jackson on writing A Strange Loop “I felt misunderstood, unseen & unheard”
A Strange Loop became the most Tony Award-nominated production of the season today, receiving 11 nominations including Best Musical. On Friday night the show's Pulitzer Prize-winning writer, composer and lyricist, Michael R. Jackson, gave a powerful and moving performance of Memory Song from the musical on stage at the 33rd Annual GLAAD Media Awards. Ahead... Continue Reading →
Bases Instinct – Theatre Review: Take Me Out (Hayes Theater, New York) ★★★★1/2
As a little budding gay growing up in a small town, I surprised even myself by really being into baseball. I knew everything about the players and their stats. I collected the baseball cards and even rooted for the Pittsburgh Pirates despite being an Ohioan who should have supported the Cleveland Indians. Even as a... Continue Reading →
Theatre Review: Cock (Ambassadors Theatre, London) ★★★★
Mike Bartlett’s Cock, last seen in London in 2011, is not just a source of endless childish sniggers in the West End—though we are grateful for that—it is an innovative revisiting of an important queer play, directed by Marianne Elliott. Barlett was inspired by cock fighting in Mexico, mashed up with questions about sexuality and... Continue Reading →
Theatre Review: Steve (Seven Dials Playhouse, London) ★★★1/2
The tale of a middle-aged white gay New Yorker having romantic issues might not be the story the world is desperately crying out for at the moment, but Steve—now playing at the newly renamed Seven Dials Playhouse in London—is brisk, bright, and funny. There’s a sense of new beginnings about this production bringing Mark Gerrard’s... Continue Reading →
Theatre Review: The Normal Heart (National Theatre, London) ★★★★
The Normal Heart has returned to the UK in its first major production since the original, and taking over the National Theatre's Oliver stage, directed by Dominic Cooke (in a co-production with his Picturehouse production company) it is quite the return. In many ways, Kramer’s is a time capsule of that time of dark desperation... Continue Reading →
Theatre Review: Camp Morning Wood – A very Naked Musical (Asylum Theatre, New York) ★★★
Camp Morning Wood: A very Naked Musical, which opened Off-Broadway on Friday night at New York's Asylum Theatre, lives up to its title, and then some. It's camper than a row of tents and joyously body-positive, with a nearly continuous display of male nudity from the fearless and fully committed ensemble cast who seem just... Continue Reading →
Theatre Review : Cruise (Duchess Theatre, London) ★★★★
It’s been a strange year, we all know it. Some of us found out we were brilliant bread bakers, others discovered they had a fitness fanatic within them, and some just hid under the covers and waited for the world to stop being a really scary place. Jack Holden however decided to sit down and... Continue Reading →
The Play’s The Thing – Film Review: Tu Me Manques ★★★★
Based on his semi-autobiographical and groundbreaking play, filmmaker Rodrigo Bellott’s Tu Me Manques became Bolivia’s official International Feature Film Oscar entry. Roughly translating to “I miss you in me”, the film tells the story of Jorge (Oscar Martínez), who travels to New York following his gay son Gabriel’s suicide to atone for how he treated... Continue Reading →
Larry Kramer’s The Normal Heart virtual reading with Laverne Cox, Jeremy Pope, Guillermo Díaz, Ryan O’Connell & Daniel Newman directed by Paris Barclay
ONE Archives Foundation, in collaboration with Invisible Histories Project, announced today a historic virtual reading of Larry Kramer’s largely autobiographical play The Normal Heart on Saturday May 8th at 5pm PT. Directed by Emmy Award-winner Paris Barclay, this new presentation will be the first time the Tony Award-winning play features a cast that is predominately BIPOC and... Continue Reading →
