Dr Emily Garside's guide to which HIV/AIDS narratives to read and watch next after Russell T Davies' acclaimed series It's A Sin. There is a vast array of work to choose from. Since the beginning of the AIDS pandemic those affected began telling their stories, both as an act of memorial, remembering those the government... Continue Reading →
Jeremy Goldstein’s Truth to Power Café and a new production of Jonathan Harvey’s Beautiful Thing straddle this year’s Sydney Gay and Lesbian Mardi Gras Festival. For The Queer Review, Goldstein speaks with Harvey about his now classic play and what it means to him to see it revived. Jonathan Harvey is among our greatest living... Continue Reading →
Michael Breslin and Patrick Foley's frequently hilarious high camp queer absurdist dark comedy Circle Jerk is very 2020. It's confronting, chaotic, unrelenting, far-fetched, deranged, and overstimulating. The theatrical equivalent of spending 100 minutes or so multi-screen doom scrolling yourself down a wormhole of alt right conspiracy theory threads punctuated with viral TikTok lip sync videos... Continue Reading →
The Foundation for AIDS Research (amfAR) will present The Great Work Begins: Scenes from Angels in America this Thursday October 8th at 8:30p.m. EST. on Broadway.com’s YouTube channel to benefit amfAR’s Fund to Fight COVID-19. Working with playwright Tony Kushner, director Ellie Heyman has enlisted an impressive array of performers, who filmed themselves remotely, for this... Continue Reading →
The trailer for director Joe Mantello's new screen adaptation of Mart Crowley's The Boys in the Band has just made its debut online. The Ryan Murphy produced film version of this classic play that explores internalised homophobia with poignancy and humour, reunites Mantello with the stellar all gay cast of the Tony-winning 2018 Broadway production.... Continue Reading →
Second Stage Theater’s planned production of Richard Greenberg’s Tony Award-winning play about a gay baseball player and the reaction to him coming out, Take Me Out, which had been postponed due to the current Broadway suspension, will come to Broadway next year with performances beginning the week of March 22nd 2021 at Second Stage’s Hayes Theater (240 West 44th Street,... Continue Reading →
With Matthew Lopez's multi-Olivier winning The Inheritance now in its final weeks on Broadway The Queer Review's editor James Kleinmann spoke exclusively with composer Paul Englishby about creating the play's achingly beautiful music. Scoring for theatre, film, television, dance and opera, Englishby is perhaps best known for his BAFTA-nominated work on BBC's Luther starring Idris Elba. His jazz inflected... Continue Reading →
Created in collaboration with LGBTQ+ homeless or formerly homeless people (24% of the UK’s homeless youth population identifies as LGBTQ+), No Sweat unravels the experiences of three young Londoners. Written and directed by Vicky Moran, the enlightening and surprising, sometimes shocking play brings into sharp focus an issue that is largely hidden in our our... Continue Reading →
Kevin Elyot’s debut play, Coming Clean, is back as the King's Head Theatre’s production returns to London’s West End. In pre-AIDS 80s Thatcherite Britain a gay couple Tony (Lee Knight) and Greg (Stanton Plummer-Cambridge) feel out the boundaries of their long-term relationship. Enter a young, sexy cleaner named Robert (Jonah Rzeskiewicz) who puts things to... Continue Reading →
Matthew Lopez’s Best Play Olivier award-winning The Inheritance, directed by Stephen Daldry, has arrived on Broadway following last year’s highly acclaimed production at London’s Young Vic and its West End transfer, with many of the original cast. Inspired by E. M. Forster’s novel Howards End, the epic two-part play examines multigenerational gay life in New... Continue Reading →
