As 2023 draws to a close, we invite some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture that has sustained, stimulated, moved, inspired, or brought them joy this year. We hope that you enjoy reading this eclectic selection and discover something new to revel in. We... Continue Reading →
The queer soundtrack of the summer has arrived. Former Scissor Sisters frontman Jake Shears' stunning sophomore solo album, Last Man Dancing, is an aural pleasuredome that takes you a sexy thrill ride, from pure dance pop euphoria that progresses into darker, more menacing delights. Shears himself has never sounded better and has invited some of... Continue Reading →
Following its world premiere at Tribeca last month, directors Bryan Darling and Jesse Finley Reed's delectable ALL MAN: The International Male Story plays the 40th Anniversary Outfest Los Angeles LGBTQ+ Film Festival on Saturday, July 16th. The feature documentary chronicles the history of the alluring men's fashion catalogue, International Male, with insights from the insiders... Continue Reading →
The Welsh-born New York City-dwelling queer prince of indie electro pop, Bright Light Bright Light, aka Rod Thomas, is about to unleash his latest album, Fun City. The Queer Review's James Derek Dwyer calls it, "a slick, heartfelt dance floor masterpiece that wears its purple influences as proudly as its star-studded features". And for an... Continue Reading →
Bright Light Bright Light aka Rod Thomas' latest album Fun City is a slick, heartfelt dancefloor masterpiece that wears its purple influences as proudly as its star-studded features. An LGBTQ+ who’s who with the likes of Sam Sparro, Jake Shears, Caveboy, Justin Vivian Bond and Andy Bell all dropping in on tracks that buzz with... Continue Reading →
