NewFest 2020 Film Review: Keyboard Fantasies: The Beverly Glenn-Copeland Story ★★★★

Posy Dixon's debut feature documentary Keyboard Fantasies: The Beverly Glenn-Copeland Story is a delicate, nuanced and life-affirming tribute to the experimental folk-jazz turned synth singer-songwriter. With an interview with the musician, who now goes by Glenn Copeland, at its centre, the film paints an intimate biographical portrait focused on his emotional and creative journey, with... Continue Reading →

Exclusive Interview: Tony-nominated The Boys in the Band star Robin de Jesús “being a part of this cast really helped me find that pride & that gay ancestral power to step into”

Robin de Jesús received both critical acclaim and his third Tony nomination for his show stealing, hilarious yet soulful, performance as the fabulously flamboyant Emory in the Ryan Murphy produced 2018 Tony-winning Broadway revival of Mart Crowley's groundbreaking play The Boys in the Band. He's now reprising that role, alongside his all-star, all publicly gay... Continue Reading →

Exclusive Interview: New Queer Cinema digital pioneer Todd Verow on his latest feature Goodbye Seventies “all of my films have led up to this one”

Todd Verow's 1995 feature debut Frisk elicited strong reactions, resulting in a near riot, when it world premiered on as the closing night of the 19th San Francisco International Lesbian & Gay Film Festival (now Frameline) at the iconic Castro Theatre, before going on to screen at Sundance, Berlin and Toronto. Based on Dennis Cooper's... Continue Reading →

Outfest 2020 Film Review: Minyan ★★★★

A gay Brooklyn teenager (The Inheritance’s Samuel H. Levine) charts his own sexual awakening and the complexities of his Russian Jewish family in documentarian Eric Steel’s narrative debut Minyan. The work of James Baldwin is certainly in the zeitgeist again as, much like Tomasz Jedrowski's brilliant debut novel Swimming in the Dark, Giovanni’s Room provides... Continue Reading →

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