On the 55th anniversary of the Stonewall riots, GALECA: The Society of LGBTQ Entertainment Critics announced its 2024 Dorian TV Awards nominations. The 500-member group, now in its 16th year, comprises voters who either work or freelance for mainstream and LGBTQ+ media outlets in the United States and internationally. “A lot of our nominated shows... Continue Reading →
With the first two episodes of season three of the Emmy & GLAAD Award-winning unscripted series We’re Here now streaming on HBO Max—and new episodes airing on Fridays at 10pm ET/PT on HBO—The Queer Review’s editor James Kleinmann had an exclusive conversation with its creators and executive producers, Stephen Warren and Johnnie Ingram. They discuss the rise in anti-LGBTQ+ attitudes and the... Continue Reading →
Australian television has been remarkably queer for a long time. In fact, LGBTQ+ characters and storylines filled Aussie screens decades before they did in the US and UK. Now, one of the first openly gay men on Australian TV is researching that history for a new documentary series, Outrageous: The Queer History of Australian TV.... Continue Reading →
GALECA: The Society of LGBTQ Entertainment Critics has announced the nominations for its 2022 Dorian TV Awards, with HBO's Hacks and Somebody Somewhere leading with five nods apiece, closely followed by Euphoria with four. Netflix's hit series Heartstopper gained three nominations for its first season, including Best LGBTQ show alongside Hacks, The Other Two, Our... Continue Reading →
While Closet Monster writer-director Stephen Dunn was developing his reimagined Queer As Folk, now streaming on Peacock, he flew to Manchester to meet with Russell T Davies, the creator of the original series. "One of the greatest gifts Russell gave me, aside from the title", Dunn shares with The Queer Review's James Kleinmann, "was after... Continue Reading →
As Stephen Dunn was developing a reimagined version of Russell T Davies' Queer As Folk for Peacock, he approached Netflix's Special creator and star Ryan O'Connell about appearing on screen as well as writing for the series. It was a suggestion that took O'Connell by surprise, as O'Connell shared with The Queer Review's editor James... Continue Reading →
Actor and musician Fin Argus, who stars as Mingus in Stephen Dunn's reimagining of Queer As Folk, spoke exclusively with The Queer Review's editor James Kleinmann about what they brought to the character, as well as what the character brought out in them, and performing in drag for the first time for the series. Fin... Continue Reading →
I can vividly remember sitting on the floor of my university flatmate Lisa's bedroom, along with all of our other flatmates (London rents were never cheap), on Tuesday, February 23rd 1999, gathered around the television tuned into Channel 4 to watch the first episode of the much-anticipated Queer As Folk. We were surprised, delighted, confronted,... Continue Reading →
Ahead of tonight's NewFest Pride world premiere of Fire Island, written by and starring Joel Kim Booster, and directed by Andrew Ahn, The Queer Review's editor James Kleinmann spoke exclusively with Ahn and cast members Matt Rogers, Conrad Ricamora, Bowen Yang, James Scully, Zane Phillips, Torian Miller, Tomas Matos and Nick Adams about the queer... Continue Reading →
As I sit here, with a bleak post-Heartstoppers hole in my TV viewing life, the UK’s brilliant (and currently embattled) Channel 4 comes to the rescue with a very different queer love story, Big Boys. It also conveniently fills that gaping space left by Sex Education and Derry Girls. Adapted from writer, narrator, and executive... Continue Reading →
