The British Film Institute has taken the difficult decision to cancel this year's LGBTQI+ Flare festival, two days before it was due to begin "due to the scale and complexity of running a large international film festival with filmmakers set to travel from across the world". In a statement released to media the BFI said,... Continue Reading →
The British Film Institute’s annual LGBTIQ+ film festival Flare is back this month with an exciting lineup of more than 50 feature films, including a few The Queer Review favourites. From March 18th-29th the festival will fill the BFI Southbank with queer cinema, discussions, parties and more. Things kick off with the Opening Night world... Continue Reading →
Playwright Sam Max's Coop, which they also direct, opened Off-Off-Broadway last week at the Paradise Factory in the East Village. Produced by a queer and femme led creative team, the impactful new play stars Latinx, transmasculine actor Lio Mehiel as Avery, a girl who has been isolated from the world and kept in a rigidly... Continue Reading →
The concept of award-winning poet Oakley Flanagan's debut play, produced by the female and LGBTQIA+ led OPIA Collective in partnership with Gendered Intelligence, This Queer House was intriguing. The press blurb tempted me in: "A young queer couple inherit a home. A joint renovation project begins. A restless house gathers strength." I immediately wondered about... Continue Reading →
Developed as a part of Pipeline Theatre Company’s PlayLab, non-binary writer and director Sam Max's darkly comic Coop opens Off-Off-Broadway tonight at Paradise Factory in the East Village. Produced by a queer and femme led creative team, the play stars Latinx, transmasculine actor Lio Mehiel as Avery, a girl who has been isolated from the... Continue Reading →
Non-binary artist MI Leggett's Official Rebrand (OR?!) launched in 2017 setting out to "revive discarded clothing" and "breathe new life into what was once considered waste." Leggett "rebrands" garments with alterations such as painting and drawing on them, while creating a sustainable alternative to the competitive consumption encouraged by social and industrial norms. OR?!’s transformative... Continue Reading →
With the 44th Toronto International Film Festival (TIFF) opening on Thursday 5th September, The Queer Review takes a look at some of this year's LGBTQ+ related highlights taking in feature films, documentaries, shorts and animation. Recent years at TIFF have delivered award winning LGBTQ+ gems including BPM (Beats Per Minute), Disobedience, A Fantastic Woman, Call Me By... Continue Reading →
Presented in promenade in and around the grounds of St Paul’s Church in the middle of London’s Covent Garden, Iris Theatre has created a gender-fluid production of Hamlet that is filled to the brim with ideas, probably more than it knows what to do with. The action has been moved from Denmark to a nationalistic... Continue Reading →
There is something utterly joyous and enlightening about Maia Kobabe’s graphic novel, Gender Queer: A Memoir. In part an autobiography, as well as a primer on non-binary gender issues, Kobabe unveils a personal story with such warmth and beauty it’s impossible not to love. It’s the paradox of art that specificity creates universality (the more... Continue Reading →
