Exclusive Interview: Moffie star Kai Luke Brümmer “It was really interesting to interrogate being a young man who’s turned into a weapon”

Ahead of the US theatrical and on demand release of the acclaimed, BAFTA-nominated fourth feature from writer-director Oliver Hermanus, Moffie, this Friday April 9th, The Queer Review's editor James Kleinmann had an exclusive chat with its star Kai Luke Brümmer. Brümmer, who makes his impressive big screen acting debut in the film, portrays sixteen-year-old Nicholas... Continue Reading →

LGBTQ+ highlights at SXSW Online 2021

Ahead of tomorrow's SXSW Online 2021 launch, we take a look at some of the LGBTQ+ feature, short, episodic, VR, and panel discussion highlights at this year's virtual festival. SXSW Online 2021 runs Tuesday March 16th to Saturday March 20th. Explore the full festival lineup at Online.SXSW.com. SXSW Online 2021 LGBTQ+ Panels: Expanding Queer Cinema... Continue Reading →

Exclusive Interview: David Färdmar on his gay breakup movie Are We Lost Forever “I wanted to challenge viewers to think for themselves”

Breaking up is hard to do as Swedish filmmaker David Färdmar explores in his brooding bittersweet debut feature Are We Lost Forever premiering in the UK and Ireland via Peccadillo Pictures on DVD, Blu-ray, and digital on Monday January 18th. When we first meet protagonists Adrian (Björn Elgerd) and Hampus (Jonathan Andersson) they're sitting up... Continue Reading →

NewFest 2020 Film Review: Sublet ★★★★

Veteran Israeli filmmaker Eytan Fox's outstanding new feature Sublet, co-written with Itay Segal, opens with the arrival of a jetlagged and disorientated fifty something gay man, Michael (The Inheritance's John Benjamin Hickey) to bustling Tel Aviv. He's a travel writer for The New York Times who has come to uncover the "real" city over a... Continue Reading →

Exclusive Interview: queer film historian, archivist & filmmaker Jenni Olson “it’s kind of an amazing achievement to make a sexy 16mm urban landscape film”

This month sees the work of queer experiential filmmaker Jenni Olson celebrated on the Criterion Channel, with a five film retrospective, plus a new insightful interview. Included in the collection are Olson's two features, The Joy of Life (2005) and The Royal Road (2015), which both world premiered at Sundance. These, along with her 1998... Continue Reading →

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