Comfort, Spin, Travel is a story of trans frustration. Our narrator is spending a late night in a branch of Officeworks—a big box office supply chain—thinking about his past and his family, and trying to come to some kind of peace with the world around him. Is he a good person? Written by Lu Bradshaw... Continue Reading →
Dance Review: King (Seymour Centre, Sydney) ★★★★★
There is magic here. Choreographer Shaun Parker’s collaboration with composer and vocalist Ivo Dimchev has produced something truly luscious to behold in King, newly relaunched work at Sydney’s Seymour Centre. The group dynamics of men, sexuality and masculinity are illustrated and deconstructed in Parker’s kinetic and humorous piece. With a company made up of a... Continue Reading →
Theatre Review: Sex Magick (Griffin Theatre Company, Sydney) ★★★★
Sex Magick lives up to its title with a lot of flavours of sex and seemingly endless amounts of magic (both the practical, theatrical kind and the more ephemeral). Funny, frisky, and confronting, Sex Magick leaves you spent but very satisfied. Ard Panicker (Raj Labade) is a former elite physiotherapist that’s been reduced to seeking... Continue Reading →
Theatre Review: Gentlemen Prefer Blondes (Hayes Theatre, Sydney) ★★★1/2
Sydney's Hayes Theatre is taking us back a century this WorldPride season with the roaring twenties set, classic 1940s feel-good musical comedy Gentlemen Prefer Blondes. The Hayes has really gone to town with this production; there are big voices, a big marketing push, and a big set (perhaps a little too big for the space).... Continue Reading →
Theatre Review: Opera Up Late (Sydney Opera House, Sydney) ★★★★
Opera Up Late takes opera's biggest hits and sprinkles them with some late night fairy dust. Stars of the Sydney Opera House's Dame Joan Sutherland theatre are dragging up, getting down and belting the high notes for an evening of delights that’s making an early claim to be the real highlight of Sydney WorldPride’s cultural... Continue Reading →
Theatre Review: CAMP (Seymour Centre, Sydney) ★★★1/2
CAMP, a new play by Elias Jamieson Brown, chronicles the rise of the Australian Pride movement through the women who fought through their pain and losses to win us the freedoms we enjoy today. It’s a decades spanning tale, elevating Australia’s own Gay Liberation story, just in time for Sydney WorldPride 2023. Sydney, in the... Continue Reading →
Theatre Review: Blessed Union (Belvoir St Theatre, Sydney) ★★★★★
There’s a simple pleasure to be had in sitting back and watching everything on stage being done well. Belvoir’s new queer family dramedy, Blessed Union, is seamlessly terrific. Funny, emotive, and probing. Flawless. No notes. I could end the review here, but obviously I won't... Ruth (Danielle Cormack) and Judith (Maude Davey) have always upheld... Continue Reading →
Theatre Review: Big Screen, Small Queen (Everything I Didn’t Learn at Film School) (KXT Kings Cross, Sydney) ★★★★
Sydney’s glamour bug, Etcetera Etcetera, is expanding her field of drag with a new one-woman show that gets down to the humanity behind the mask in Big Screen, Small Queen (Everything I Didn’t Learn at Film School), presented during Sydney WorldPride. The night starts like an old school Sydney drag show, lip-syncing to classic film... Continue Reading →
Exclusive Interview: Australian drag superstar Etcetera Etcetera on her Sydney WorldPride one-woman show “Big Screen, Small Queen (Everything I Didn’t Learn at Film School)”
Already loved in Australia for her glamour and quick wit, non-binary drag and visual artist Etcetera Etcetera leapt onto the international stage thanks to her appearance on the first season of RuPaul’s Drag Race Down Under. Since then she's toured the nation and sashayed down fashion week runways, while her activism has seen her become... Continue Reading →
Theatre Review: Hubris & Humiliation (Sydney Theatre Company) ★★★★
Lewis Treston’s new comedy, Hubris & Humiliation, takes Jane Austen and gives her a very Australian injection of camp, just in time for Mardi Gras season. The boys are sexy, the jokes are gloriously stupid, and the story is outrageous. Is it too much to call it “WorldPride & SocioeconomicPrejudice”? Elliot Delany (Roman Delo) is... Continue Reading →
