In a crowded WorldPride 2023 cultural calendar, one of the hottest tickets in town is the world premiere of Hubris and Humiliation by Lewis Treston at Sydney Theatre Company's Wharf Theatre, previewing from January 20th. A gay rom-com inspired by the work of Jane Austen, the play sees young Elliot being sent from Brisbaine to... Continue Reading →
Theatre Review: Queer As Flux (Sydney Opera House Studio) ★★★1/2
Following acclaimed runs at Brisbane Powerhouse and The Blue Room Theatre, Zac Callaghan’s one-person show, Queer As Flux, finally hits Sydney highlighting how all of us, as individuals and as a culture, are constantly in flux, transitioning, and becoming something new. When you come to think of it, perhaps we're all a bit trans. In... Continue Reading →
Theatre Review: End Of. (Griffin Theatre Company, Sydney) ★★★1/2
Ash Flanders' one-person show, End Of., is a mood. It’s a bizarre ride through death, grammar, and bad acid trips. I guess I’m trying to say that End Of. is a bit messy and incoherent, but then who said the destination had to be as good as the journey anyway? A succession of stories both... Continue Reading →
Theatre Review: Strange Case of Dr Jekyll and Mr Hyde (Sydney Theatre Company) ★★★★★
Sydney Theatre Company Artistic Director, and director of Strange Case of Dr Jekyll & Mr Hyde, Kip Williams knows when he’s onto a good thing. After the breakout success of his technically and artistically brilliant The Picture of Dorian Gray, he’s picked another piece of transformative, gothic fiction to bring to the stage with the... Continue Reading →
Theatre Review: Whitefella Yella Tree (Griffin Theatre, Sydney) ★★★★
A young romance set during world-changing times. Lovers standing against the broad sweep of history. No, I’m not talking about Josh Hartnett and Kate Beckinsale in Pearl Harbor, or just about everyone in From Here To Eternity, but the gay love story at the centre of Dylan Van Den Berg’s captivating Whitefella Yella Tree. Currently... Continue Reading →
Theatre Review: Albion (Seymour Centre, Sydney) ★★★★
Cast your mind back to 2017. You know, the year that was one of the worst in recent memory until 2020 hit. The year that the UK was stuck dealing with the fallout from the Brexit referendum, while the orange menace took office in the US. A year in which the words 'coronavirus' and 'Ukraine'... Continue Reading →
Theatre Review: The One (Ensemble Theatre, Sydney) ★★★1/2
Vanessa Bates’ The One, receiving its world premiere at Sydney’s Ensemble Theatre, delves into the nuances of identity through the lens of race, and to a lesser degree sexuality. It’s also incredibly bizarre and funny. In life, as at Jim’s Asian Restaurant & Milk Bar, there are no refunds and you have to make do... Continue Reading →
Theatre Review: Become The One (Riverside Theatre, Sydney) ★★★★
With footballers like Australia's Josh Cavallo and the UK's Jake Daniels bravely coming out, the timing of the return run of Adam Fawcett’s 2019 play Become The One couldn’t be better. How does a relationship work when one of you stays in the closet? What’s the impact on your other relationships? How long can it... Continue Reading →
Theatre Review: Blithe Spirit (Sydney Opera House, Sydney) ★★★★
It begins with the dramatic opening chords of Celine Dion’s “It’s All Coming Back to Me Now”, a flash of lightning and the vision of an ethereal Courtney Act hovering above the stage. It’s a warning, this isn’t any ordinary version of Noël Coward’s supernatural comedy. Charles Condomine (Matt Day) is a writer in need... Continue Reading →
Exclusive Interview: Australian drag superstar Courtney Act on her Sydney Theatre Company debut “this feels like a whole level jump”
Australia has never been shy of drag. From the legacy of Sydney’s Les Girls and Carlotta, to Barry Humphries' iconic Dame Edna and Stephan Elliott's classic 1994 movie The Adventures of Priscilla, Queen of the Desert, drag has long been part of nation's cultural mix. But things changed when Courtney Act rose to fame in... Continue Reading →
