When you think about a Canadian sitcom set in a small rural town with a surprisingly welcoming attitude towards its queer citizens, your mind might automatically zero in on a certain Emmy-winning juggernaut. While true, you’d be overlooking Letterkenny, which I consider a far more accepting and outrageous haven for so many queer characters across... Continue Reading →
TV Review: Pretend It’s A City ★★★★
Filmmaker Martin Scorsese and fellow New York icon, writer, wit, and public speaker Fran Lebowitz can't recall when they first met. When asked about their friendship during an on-stage interview seen in an archive clip in their new Netflix docu-series Pretend It's A City, Marty suggests it might have been at John Waters' 50th birthday... Continue Reading →
Exclusive Interview: photographer Magnus Hastings on his new book Rainbow Revolution “I wanted to do something that was about the entire community”
Los Angeles-based British photographer, Magnus Hastings, has spent the last spent three years shooting images for his latest book, Rainbow Revolution, in London, LA, New York, and San Francisco. Hastings' elegantly simple concept—each subject was asked to strike a pose in a custom made white box—allowed for a wealth of creativity and individual expression of... Continue Reading →
Theatre Review: Rent – 25th Anniversary Production (Sydney Opera House) ★★★1/2
Jonathan Larson’s iconic musical Rent is 25 years old this year and this 1990s period-piece is suddenly feeling sharply contemporary again. Forced evictions, gentrification, art vs. commerce, love and drugs - all told against the backdrop of a community managing a pandemic…welcome to 2021. Kicking off this anniversary year, a new production has settled into... Continue Reading →
Graphic Novel Review: Horny and High Vol. 1 by Ed Firth ★★★★
Ed Firth’s Horny and High is a dark series of tales of gay life in the city - sex, drugs and a pervasive sense of inevitable doom. It’s deliberately bleak, but undeniably compelling. Consisting of three stories, The Nightbus, Chillout and 🎵, this first volume is as visually stunning as it is depressing. The Nightbus... Continue Reading →
And The Rest – Glenn Gaylord’s Capsule Film Reviews 2020
In 2020, I reviewed a ton of films along with books, theater, and short films. I ended up seeing way more movies than I reviewed, because I enjoy spending whatever free time I have avoiding maskless COVIDiots while walking my cute doggy. To make up for it, I’ve written capsules for some of the remaining... Continue Reading →
Exclusive Interview: erotic artist Sam Morris on his debut book Don’t Fall In Love, Sam – “usually my work is very carefully constructed but this is the reality of who I am & what I feel”
This month saw the publication of gay erotic artist Sam Morris' tender, intimate and emotional debut book Don't Fall In Love, Sam. Morris' unguarded personal essays take us behind his hugely popular online image as constructed by his visually sumptuous and carefully composed photography and video work, as he contemplates anxiety, sex, and sexuality as... Continue Reading →
Exclusive Interview: Timothy Ware-Hill & Arnon Manor on their powerful Netflix animated short film Cops and Robbers “Black Lives Matter can’t just be a saying it has to be an act”
The gut-wrenchingly powerful, deeply moving and ultimately hopeful animated short film, Cops and Robbers, directed by Arnon Manor and Timothy Ware-Hill, was written and performed by Ware-Hill in response to the murder of Ahmaud Arbery earlier this year. Ware-Hill had initially filmed himself reciting his own impactful poem and posted the video to social media... Continue Reading →
The Queer Review 2020 – LGBTQ+ highlights of the year
With so many queer spaces, bars, clubs, live venues, theatres, and cinemas closed for much of the year, and festivals cancelled or reimagined as virtual editions, we asked some of friends, including prominent culture makers and performers, to tell us their favourite LGBTQ+ art or events of 2020. Get in touch via social media using... Continue Reading →
One For The Records – Film Review: Ma Rainey’s Black Bottom ★★★★1/2
The term “Race Records” describes a time from the 1920s to the 1940s in which Black artists recorded songs for Black audiences. Despite selling well and launching such stars as Bessie Smith and Louis Armstrong, most musicians fell victim to exploitation by white record company management. The late August Wilson wrote about this conflict in... Continue Reading →