With the end of this challenging year in sight, we asked some friends of The Queer Review, including prominent creators, performers, artists, and activists to share the LGBTQ+ culture or events that sustained, stimulated, or inspired them in 2021. The eclectic list features two deserving mentions for a Spanish-language limited TV series that was released... Continue Reading →
With so many queer spaces, bars, clubs, live venues, theatres, and cinemas closed for much of the year, and festivals cancelled or reimagined as virtual editions, we asked some of friends, including prominent culture makers and performers, to tell us their favourite LGBTQ+ art or events of 2020. Get in touch via social media using... Continue Reading →
The Welsh-born New York City-dwelling queer prince of indie electro pop, Bright Light Bright Light, aka Rod Thomas, is about to unleash his latest album, Fun City. The Queer Review's James Derek Dwyer calls it, "a slick, heartfelt dance floor masterpiece that wears its purple influences as proudly as its star-studded features". And for an... Continue Reading →
Bright Light Bright Light aka Rod Thomas' latest album Fun City is a slick, heartfelt dancefloor masterpiece that wears its purple influences as proudly as its star-studded features. An LGBTQ+ who’s who with the likes of Sam Sparro, Jake Shears, Caveboy, Justin Vivian Bond and Andy Bell all dropping in on tracks that buzz with... Continue Reading →
Bright Light Bright Light’s (Rod Thomas) new single and video, directed by Tyler Jensen, This Was My House are wildly prescient during our current quarantined global existence. Scenes of Rod (and his strategically placed disco ball) in his apartment juxtapose with a veritable rainbow of out-of-doors’ liberation scenes culminating in some very ‘non-social distancing’ dancing... Continue Reading →
